Set in a New York apartment building, Fourteen Days is an irresistibly propulsive novel with an unusual twist: each character in this diverse, eccentric cast of neighbours has been secretly written by a different, major literary voice - from Margaret Atwood and John Grisham to Emma Donoghue and Celeste Ng.

One week into lockdown, the tenants of a run-down apartment building in Manhattan have begun to gather on the rooftop each evening and tell stories. With each passing night, more and more neighbours gather, bringing chairs and milk crates and overturned pails. Gradually the tenants – some of whom have barely spoken to each other before now – become real neighbours.

A dazzling, heartwarming and ultimately surprising narrative, Fourteen Days is an ode to the power of storytelling and human connection.

Includes writing from: Charlie Jane Anders, Margaret Atwood, Jennine Capo Crucet, Pat Cummings, Joseph Cassara, Angie Cruz, Sylvia Day, Emma Donoghue, Dave Eggers, Diana Gabaldon, Tess Gerritsen, John Grisham, Maria Hinojosa, Mira Jacob, Erica Jong, CJ Lyons, Celeste Ng, Tommy Orange, Mary Pope Osborne, Doug Preston, Alice Randall, Caroline Randall, Ishmael Reed, Roxana Robinson, Nelly Rosario, James Shapiro, Hampton Sides, R.L. Stine, Nafissa Thompson-Spires, Monique Truong, Scott Turow, Luis Alberto Urrea, Rachel Vail, Weike Wang, DeShawn Charles Winslow, Meg Wolitzer

Set in a New York apartment building, Fourteen Days is an irresistibly propulsive novel with an unusual twist: each character in this diverse, eccentric cast of neighbours has been secretly written by a different, major literary voice - from Margaret Atwood and John Grisham to Emma Donoghue and Celeste Ng. One week into lockdown, the tenants of a run-down apartment building in Manhattan have begun to gather on the rooftop each evening and tell stories. With each passing night, more and more neighbours gather, bringing chairs and milk crates and overturned pails. Gradually the tenants - some of whom have barely spoken to each other before now - become real neighbours. A dazzling, heartwarming and ultimately surprising narrative, Fourteen Days is an ode to the power of storytelling and human connection. Includes writing from: Charlie Jane Anders, Margaret Atwood, Jennine Capo Crucet, Pat Cummings, Joseph Cassara, Angie Cruz, Sylvia Day, Emma Donoghue, Dave Eggers, Diana Gabaldon, Tess Gerritsen, John Grisham, Maria Hinojosa, Mira Jacob, Erica Jong, CJ Lyons, Celeste Ng, Tommy Orange, Mary Pope Osborne, Doug Preston, Alice Randall, Caroline Randall, Ishmael Reed, Roxana Robinson, Nelly Rosario, James Shapiro, Hampton Sides, R.L. Stine, Nafissa Thompson-Spires, Monique Truong, Scott Turow, Luis Alberto Urrea, Rachel Vail, Weike Wang, DeShawn Charles Winslow, Meg Wolitzer

The year is 1975 and Reno--so-called because of the place of her birth--has come to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity in that world, and Reno meets a group of dreamers and raconteurs who submit her to a sentimental education of sorts. Ardent, vulnerable, and bold, she begins an affair with an artist named Sandro Valera, the estranged scion of an Italian tire and motorcycle empire. When they visit Sandro's family home in Italy, betrayal sends Reno reeling into a clandestine undertow.
The Flamethrowers is an intensely engaging exploration of the mystique of the feminine, the fake, the terrorist. At its center is author Rachel Kushner's superbly realized protagonist, a young woman on the verge. Thrilling and fearless, this is a major American novel from a writer of spectacular talent and imagination.

Rachel Kushner has written an astonishingly wise, ambitious, and riveting novel set in the American community in Cuba during the years leading up to Castro's revolution -- a place that was a paradise for a time and for a few. The first novel to tell the story of the Americans who were driven out in 1958, this is a masterful debut.

Young Everly Lederer and K. C. Stites come of age in Oriente Province, where the Americans tend their own fiefdom -- three hundred thousand acres of United Fruit Company sugarcane that surround their gated enclave. If the rural tropics are a child's dreamworld, Everly and K.C. nevertheless have keen eyes for the indulgences and betrayals of the grown-ups around them -- the mordant drinking and illicit loves, the race hierarchies and violence.

In Havana, a thousand kilometers and a world away from the American colony, a cabaret dancer meets a French agitator named Christian de La Maziere, whose seductive demeanor can't mask his shameful past. Together they become enmeshed in the brewing political underground. When Fidel and Raul Castro lead a revolt from the mountains above the cane plantation, torching the sugar and kidnapping a boat full of "yanqui" revelers, K.C. and Everly begin to discover the brutality that keeps the colony humming. Though their parents remain blissfully untouched by the forces of history, the children hear the whispers of what is to come.

At the time, urgent news was conveyed by telex. Kushner's first novel is a tour de force, haunting and compelling, with the urgency of a telex from a forgotten time and place.

The Outlands, a series of photographs taken by Eggleston between 1969 and 1974, establishes the groundbreaking visual themes and lexicon that the artist would continue to develop for decades to come. The work offers a journey through the mythic and evolving American South, seen through the artist's lens: vibrant colors and a profound sense of nostalgia echo throughout Eggleston's breathtaking oeuvre. His motifs of signage, cars, and roadside scenes create an iconography of American vistas that inspired a generation of photographers. With its in-depth selection of unforgettable images - a wood-paneled station wagon, doors flung open, parked in an expansive rural setting; the artist's grandmother in the moody interior of their family's Sumner, Mississippi home - The Outlands is emblematic of Eggleston's dynamic, experimental practice. The breadth of work reenergizes his iconic landscapes and forms a new perspective of the American South in transition. Accompanying the ninety brilliant Kodachrome images and details, a literary, fictional text by the critically acclaimed author Rachel Kushner imagines a story of hitchhikers trekking through the Deep South. New scholarship by Robert Slifkin reframes the art-historical significance of Eggleston's oeuvre, proposing affinities with work by Marcel Duchamp, Dan Graham, Jasper Johns, and Robert Smithson. A foreword by William Eggleston III offers important insights into the process of selecting and sequencing this series of images.

"I was inspired by the way a car can steal the show. Think of iconic car chases in films-it's often about spectacle, and has little to do with advancing a narrative. And that's the way I think of these cars, as dead-end technologies, but also as high-performance machines which, for their audience, sought to reflect the spirit and attitudes of their time." -Matthew Porter Matthew Porter presents a portfolio of twenty-five images of old-school cars, captured in midair as they careen over city streets and highway intersections. Each photograph is a freeze-frame-a hypothetical film still from a pulp-fiction chase scene. The series seems, on one hand, to distill the essence of muscle-car Americana, a pop-cultural semaphore for the high-testosterone male persona. And yet, on the other, the subject-the "all-American" muscle car as antihero-is caught in an eternal state of suspended animation, while the various elements of the landscape in the background organize themselves around the edges of the frame. The resulting pictures are a hybrid of hyperreality and studied, topographic description, part bittersweet nostalgia and part ironic reinvention of a classic American trope. Rachel Kushner contributes an original piece of writing that riffs on the aesthetic and aspirational nature of the American car.

The San Quentin Project collects a largely unseen visual record of daily life inside one of America's oldest and largest prisons, demonstrating how this archive of the state is now being used to teach visual literacy and process the experience of incarceration. In 2011, Nigel Poor-artist, educator, and cocreator of the acclaimed podcast Ear Hustle-began teaching a history of photography class through the Prison University Project at San Quentin State Prison. Neither books nor cameras were allowed into the facility, so an unorthodox course with a range of inventivemapping exercises ensued: students crafted "verbal photographs" of memories for which they had no visual documentation, and annotated iconic images from different artists. After the first semester, Poor says, "one student told me he could now see fascination everywhere in San Quentin." When Poor received access to thousands of negatives in the prison's archive, made by corrections officers of a former era, these images of San Quentin's everyday occurrences soon became launchpads for her students' keen observations. From the banal to the brutal, to distinct moments of respite, the pictures in this archive gave those who were involved in the project the opportunity to share their stories and reflections on incarceration.

From the Booker-shortlisted author of The Mars Room, a career-spanning collection of spectacular essays about politics and culture. Rachel Kushner is a writer celebrated for her 'chops, ambition, and killer instinct' (John Powers, Fresh Air). In The Hard Crowd, she gathers a selection of her writing from over the course of the last twenty years that addresses the most pressing political, artistic, and cultural issues of our times - and illuminates the themes and real-life terrain that underpin her fiction. In nineteen razor-sharp essays, The Hard Crowd spans literary journalism, memoir, cultural criticism, and writing about art and literature, including pieces on Jeff Koons, Denis Johnson, and Marguerite Duras. Kushner takes us on a journey through a Palestinian refugee camp, an illegal motorcycle race down the Baja Peninsula, 1970s wildcat strikes in Fiat factories, her love of classic cars, and her young life in the music scene of her hometown, San Francisco. The closing, eponymous essay is her manifesto on nostalgia, doom, and writing. These pieces, new and old, are electric, phosphorescently vivid, and wry, and they provide an opportunity to witness the evolution and range of one of the world's most dazzling and fearless writers.

From the Booker-shortlisted author of The Mars Room, a career-spanning collection of spectacular essays about politics and culture. In The Hard Crowd, Rachel Kushner gathers a selection of her writing from over the course of the last twenty years that addresses the most pressing political, artistic, and cultural issues of our times - and illuminates the themes and real-life terrain that underpin her fiction. In razor-sharp essays spanning literary journalism, memoir, cultural criticism, and writing about art and literature, Kushner takes us from Jeff Koons and Marguerite Duras to a Palestinian refugee camp, from her love of classic cars to her young life in the music scene of San Francisco. The closing, eponymous essay is her manifesto on nostalgia, doom, and writing. 'I'm glad to taste something this sharp, this smart' Olivia Laing 'Wild, wide-ranging and unsparingly intelligent throughout' Vogue 'An exciting book... Kushner writes from the inside out and gives us the true story, the real deal' Kevin Barry, New Statesman, Books of the Year

*A NEW STATESMAN BOOK OF THE YEAR 2021* From the Booker-shortlisted author of The Mars Room, a career-spanning collection of spectacular essays about politics and culture. Rachel Kushner is a writer celebrated for her 'chops, ambition, and killer instinct' (John Powers, Fresh Air). In The Hard Crowd, she gathers a selection of her writing from over the course of the last twenty years that addresses the most pressing political, artistic, and cultural issues of our times - and illuminates the themes and real-life terrain that underpin her fiction. In nineteen razor-sharp essays, The Hard Crowd spans literary journalism, memoir, cultural criticism, and writing about art and literature, including pieces on Jeff Koons, Denis Johnson, and Marguerite Duras. Kushner takes us on a journey through a Palestinian refugee camp, an illegal motorcycle race down the Baja Peninsula, 1970s wildcat strikes in Fiat factories, her love of classic cars, and her young life in the music scene of her hometown, San Francisco. The closing, eponymous essay is her manifesto on nostalgia, doom, and writing. These pieces, new and old, are electric, phosphorescently vivid, and wry, and they provide an opportunity to witness the evolution and range of one of the world's most dazzling and fearless writers. 'An exciting book... she writes from the inside out and gives us the true story, the real deal.' Kevin Barry, New Statesman 'Books of the year' 2021

Named by the New Yorker as one of the best books of 2022, this posthumously published work serves as the fourth and final volume in Anne Truitt's remarkable series of journals "Impressive. . . . Truitt lyrically looks back on 80 years of life. . . . [T]hese daily entries . . . offer a version of Truitt free of artifice as she meditates on the sacred and mundane. . . . This sparks with intelligence."-Publishers Weekly "Truitt wrote as she sculpted, returning to the past again and again to find fresh truths. . . . A model of discipline and open-ended inquiry and a welcome counterweight to the kind of anxieties that so often accompany a creative practice."-Megan O'Grady, New Yorker "In its stripped-down intimacy, Yield shows Truitt at her most eloquent in demonstrating, as her sculptures do, that all revelation in art is self-revelation."-Donna Rifkind, Wall Street Journal In the spring of 1974, the artist Anne Truitt (1921-2004) committed herself to keeping a journal for a year. She would continue the practice, sometimes intermittently, over the next six years, writing in spiral-bound notebooks and setting no guidelines other than to "let the artist speak." These writings were published as Daybook: The Journal of an Artist (1982). Two other journal volumes followed: Turn (1986) and Prospect (1996). This book, the final volume, comprises journals the artist kept from the winter of 2001 to the spring of 2002, two years before her death. In Yield, Truitt's unflinching honesty is on display as she contemplates her place in the world and comes to terms with the intellectual, practical, emotional, and spiritual issues that an artist faces when reconciling her art with her life, even as that life approaches its end. Truitt illuminates a life and career in which the demands, responsibilities, and rewards of family, friends, motherhood, and grandmotherhood are ultimately accepted, together with those of a working artist.

FROM THE MAN BOOKER PRIZE SHORTLISTED AUTHOR OF THE MARS ROOM SHORTLISTED FOR THE FOLIO PRIZE 2014 LONGLISTED FOR THE BAILEYS WOMEN'S PRIZE FOR FICTION Reno mounts her motorcycle and sets a collision course for New York. In 1977 the city is alive with art, sensuality and danger. She falls in with a bohemian clique colonising downtown and the lines between reality and performance begin to bleed. A passionate affair with the scion of an Italian tyre empire carries Reno to Milan, where she is swept along by the radical left and drawn into a spiral of violence and betrayal. The Flamethrowers is an audacious novel that explores the perplexing allure of femininity, fakery and fear. In Reno we encounter a heroine like no other. Best Books of the Year: * Guardian * New York Times * The Times * Observer * Financial Times * New Yorker * Telegraph * Slate * Oprah * Vogue * Time * Scotsman * Evening Standard * Shortlisted for the National Book Awards 2013

Marguerite Duras was one of the leading intellectuals and novelist of post-war France, but her wartime writings were not published in full until after her death. The Wartime Notebooks trace Duras's formative experiences - including her difficult childhood in Indochina and her harrowing wait for her husband's return from Nazi internment - revealing the personal history behind her bestselling novels. The Lover is the best known of these; set in pre-war Indochina, its haunting tale of a tumultuous affair between an adolescent French girl and her wealthy Chinese lover is based on her own life. In spare and luminous prose, Duras evokes life on the margins in the waning days of France's colonial empire, and the passionate relationship between two unforgettable outcasts. Practicalities is a collection of small and intensely personal pieces Duras dictated near the end of her life. These deceptively simple meditations on motherhood, domesticity, sex, love, alcohol, writing, and more are witty, earthy, outspoken and surprisingly fresh and relevant to the same issues today.

SHORTLISTED FOR THE MAN BOOKER PRIZE 2018 A NEW YORK TIMES BESTSELLER From the author of internationally acclaimed The Flamethrowers - a fearless and heartbreaking novel about love, friendship and incarceration. Romy Hall is starting two consecutive life sentences at Stanville Women's Correctional Facility. Her crime? The killing of her stalker. Inside awaits a world where women must hustle and fight for the bare essentials. Outside: the San Francisco of her youth. The Mars Room strip club where she was once a dancer. Her seven-year-old son, Jackson. As Romy forms friendships over liquor brewed in socks and stories shared through sewage pipes her future seems to unfurl in one long, unwavering line - until news from beyond the prison bars forces Romy to try and outrun her destiny. 'Kushner is one of our most outstanding modern writers' STYLIST 'More knowing about prison life [than Orange Is The New Black]... so powerful' NEW YORK TIMES 'Breathtaking' VOGUE

FROM THE MAN BOOKER PRIZE SHORTLISTED AUTHOR OF THE MARS ROOM A NEW YORK TIMES BESTSELLER FINALIST FOR THE NATIONAL BOOK AWARD IN FICTION Fidel and Raul Castro are in the hills, descending only to burn sugarcane plantations and recruit rebels. Rachel K is in Havana's Cabaret Tokio, entangled with a French agitator trying to escape his shameful past. Everly and K.C. are growing up in the dying days of a crumbling US colony, about to discover the cruelty and violence that have created their childhood idyll.

It was the Autumn of 1969, and Italy exploded. Across the north of the country, factory workers stormed out on strike, demanding better pay and working conditions. The slogan "We Want Everything" rang through the streets. Italy's "Hot Autumn" had begun. In Nanni Balestrini's fictionalized account of the uprising, a young worker from Italy's impoverished south arrives at Fiat's Mirafiori factory in Torino, where he barely scrapes by with fourteen hour days of backbreaking work. His frustration is palpable, and soon he is agitating again his bosses for fun and giving himself minor injuries to win sick leave. Soon enough, he is swept up by a snowballing worker movement that leads to months of continuous strikes at Mirafiori. Eventually, the conflict bubbles out of the factory. The growing pressure having produced an inevitable crack, the streets are lined with barricades, and tear gas wafts into private homes. Introduced by Rachel Kushner, author of the critically acclaimed The Flamethrowers, We Want Everything is an explosive account of a revolution that would clear the way for another decade of radical unrest.

In Malina, originally published in German in 1971, Ingeborg Bachmann invites the reader into a world stretched to the very limits of language. An unnamed narrator, a writer in Vienna, is torn between two men: viewed, through the tilting prism of obsession, she travels further into her own madness, anxiety, and genius. Malina explores love, "deathstyles," the roots of fascism, and passion.